"A FATALISTIC ACCOUNT OF SOCIETY'S DECLINE"Ĭounting down 24 hours, Kassovitz never gives the illusion of a happy ending.
It's left to Vinz's cohorts, the jocular Saïd (Saïd Taghmaoui) - also Arab - and subdued African boxer Hubert (Hubert Koundé) to talk him out of his bloody plan as they embark on a loafing odyssey from the immigrant neighbourhoods to the big city. Delving into the generational, racial, and class divides of his native France, Kassovitz offers a fearless - if unreservedly pessimistic - attack on the frontlines of power.ĭuring a riot in the outskirts of Paris, police beat an Arab teenager (Abdel Ahmed Ghili) into a coma, fuelling a fire of hatred inside Vinz (Vincent Cassel) - a Jew who swears to "whack" a cop if the boy dies.
The result is an explosion of scathing social commentary and dynamic storytelling. Writer-director Mathieu Kassovitz butts European urbanity up against American street style as kids clash with cops in suburban Paris. However, what they don’t know is that Vinz picked it up and has it in his possession, and when Vinz, Hubert, and Said get into a scuffle with a group of racist skinheads, the circumstances seem poised for tragedy.Ī work of tough beauty, La Haine is a landmark of contemporary French cinema and a gripping reflection of its country’s ongoing identity crisis.It's been labelled French cinema's answer to Boyz N The Hood, but La Haine (Hate) has a flavour all of its own. One day, a street riot breaks out after police seriously injure an Arab student the three friends are arrested and questioned, and it is learned that a policeman lost a gun in the chaos. They hang out and wander the streets as a way of filling their days and are sometimes caught up in frequent skirmishes between the police and other disaffected youth. Vinz (Vincent Cassel), who is Jewish, Hubert (Hubert Kounde), who is Black, and Said (Said Taghmaoui), who is Arabic, are young men from the lower rungs of the French economic ladder they have no jobs, few prospects, and no productive way to spend their time. In 1995, Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris’s outskirts.
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